Posts Tagged ‘Jim Bartruff’

Marah Melvin, senior theater major, Aubrey Near, junior theater major, and Trinity Standridge, senior theater major rehearse for the homecoming musical Sunday night in Beach Hall. The musical this year is “Guys and Dolls.”
Yiqing Fu/The Bulletin

The theater department will present its 40th Homecoming Scholarship Musical, a production of Manhattan native Damon Runyon’s “Guys and Dolls,” Oct. 11-14. This year’s show is the third homecoming production of “Guys and Dolls” – the first was in 1978 and the second was in 1994.

“The process in deciding the homecoming musical involves looking at our production history and what our students can do,” said Jim Bartruff, director and professor of communication and theatre. “We felt like this was the best choice for this slot.”

Marah Melvin, senior theater major who plays Miss Adelaide, said the previous productions of the show both had good turnouts.

“I like the fact that we are revisiting a well-known American musical that’s modern enough for most people to enjoy,” Melvin said. “It’s a throwback that a lot of people know.”

Bartruff said they convinced President Michael Shonrock to play a brief role in the production. Shonrock appears in a scene where Nathan Detroit, played by senior theater major and Bulletin distribution manager Noah Mefford, has a phone conversation about the illegal craps game he trying to put together – and keep it a secret from Lt. Brannigan, played by senior theater major Michael Stauffer.

“It’s really cool that he’s (Shonrock) part of it, and it’s good to get support of the faculty, even if they’re not part of the department,” said Mike Koetkemeyer, senior theater major and stage manager.

The homecoming casino night theme is tied to the gambling-related themes in “Guys and Dolls,” said Nancy Pontius, professor of theater and set designer.

Cast members said they have been looking forward the opportunity to perform the American classic since it was announced by theater department last spring.

“I actually wasn’t completely familiar with this particular musical, except a few songs,” said Jamarious Wicker, junior theater major who plays Raoul, “but I really got into it. It just got into my system and really grew on me quickly.”

Koetkemeyer said that he couldn’t do his job without the support of the cast and crew and that he appreciates their focus and respect for each other.

“Rehearsals have flowed together so well,” Wicker said. “There’s been no drama or anxiety. We have a week before dress rehearsals start and you can already see the cast is really colorful and has a lot of chemistry. This is going to be a really great show.”

Melvin said it’s been a great experience so far, and she can’t wait to share it with the audience.

“Guys and Dolls” will open at 7:30 p.m. Oct. 11 in Albert Taylor Hall. There will also be showings at 7:30 p.m. Oct. 12 and 13, and a matinee at 2 p.m. Oct. 14.

 

Returning to the stage he performed on as a high school student, Jim Bartruff, director of theater, was awarded the 2012 Golden Medallion during the Region V annual meeting of the Kennedy Center American Theatre Festival. The festival was held at Iowa State from Jan. 15-21.

“At lunch the next day, I discovered there was another Ames High alum who had been there,” Bartruff said. “He was there when I received the award, and the next day I was able to sit down and have a nice lunch with him. He also teaches at the college level in the region, so it was nice to sit down and compare notes about that.”

Nearly 1,600 students and faculty members from 50 colleges in Region V, which consists of Nebraska, Kansas, Missouri, Minnesota, North Dakota and South Dakota, attended the festival.

Twenty students accompanied Bartruff. Ross Rundell, senior theater major, has attended the festival with Bartruff for the last four years, and this was the second award he has seen Bartruff receive.

“One of the great things about Jim is that you can talk to him outside of the classroom – you get more than a teacher student relationship,” Rundell said. “He takes the time to actually get to know people and their situation, (and) he is a very involved teacher who is dedicated and spends a lot of time with his students.”

The Gold Medallion is given to the teachers “who have demonstrated a strong commitment to the values and goals of KCACTF and to excellence in educational theatre.” It is the most prestigious award presented by KCACTF.

Over the years, Bartruff has taught at several Division I and II universities.

“In terms of its tradition and in terms of what if offers to students, I think Emporia is the best institution I have taught at,” Bartruff said. “The others have their strengths in a lot of different ways, but just flat out in terms of what the program offers its students, I think it is clearly the best.”

Bartruff started his theater career in college after a friend teased him into trying out for the school play. The two still remained friends after he received the lead roll, and his friend was cast in a supporting roll.

“I grew up in a church family and our parents always encouraged my brother and I to follow our interests,” Bartruff said. “A couple of my brothers became really good basketball and football players, but I was never much of an athlete.”

An avid baseball fan, sports are still a hobby of Bartruff, but his true love remains on the stage.

Rocky Robinson

 
John Sheridan, dean of the university library and archive, discusses next year’s theme for the general education program Wednesday afternoon in the Memorial Union Colonial Ballroom. Jon Coffey/ The Bulletin

John Sheridan, dean of the university library and archive, discusses next year’s theme for the general education program Wednesday afternoon in the Memorial Union Colonial Ballroom. Jon Coffey/ The Bulletin

Choosing a theme for general education in order to improve the experience of students was the main focus at the General Education Enhancement Workshop yesterday afternoon in the Memorial Union Ballroom.

“We use the metaphor of a silo,” said Gary Wyatt, associate dean of liberal arts and science and director of general education. “You hop into the history silo at nine and climb out, and then at 10 you hop into the biology silo and they’re completely different – we want to bring connections.”

The forum chose to use food as the theme for the general education program next year. The forum hopes that incorporating this theme will connect the different general education classes to one another as well as the real world and will help students find more relevance in the courses, Wyatt said.

Some of the topics presented by faculty and students including social networking, death and climate change. The forum participants addressed all of these points in small groups and then voted as a whole through three rounds of narrowing down the subjects.

The idea of choosing a theme to make connections from subject to subject stemmed from previous meetings of faculty and students and Wyatt said that other schools he had heard from had found success with this strategy.

During the debate, food received support because it was broad enough to encompass all of the subjects but not so broad as to dilute the subject so the connections could not be made. Jim Bartruff, director of theater, believed that freshmen would be bright enough to make those connections even with such a broad topic.

“I think the theme will be general enough for people to stay interested, and not a huge political stance like it could have been,” said Traci Schremmer, senior communications major.

Climate change was overlooked because of how polarizing a subject it could be, which could immediately turn off certain students, said Deborah Gerish, associate professor of social sciences.

Death was dismissed as a theme because of previous experience with such a dark subject was poorly received by students in an English course taught by Rachelle Smith, associate professor of English. She was a supporter of the theme but acknowledged the darkness of the subject.

“The overall theme, especially the uplifting one of food as compared to death, I could see that being fun for incoming freshman who can come in and see that all of their classes will have food involved. I’m very excited to see what’s going to happen next year,” said Liz Coffey, senior earth science major.

Charlie Heptas

 

Members of the Emporia State Theater Department will be traveling to Ames, Iowa, on Sunday to participate in the 43rd annual Kennedy Center American College Theatre Festival regional meeting from Jan. 16-22.

About 30 students from ESU will make the trip to Ames to participate in various workshops, theater performances and to interact with theater students from throughout the region.

Jim Bartruff, director of theater, will also be attending the conference. Bartruff, who became ESU’s director of theater in 2004 and was selected as a national directing fellow for Region V at the 2010 conference, said the conference is a very good chance for ESU theater students to experience theater at a higher level.

“(The conference) gives us the opportunity to share the work that we do with other schools in the region to recognize the fact that we are a part of the largest theater community in the nation… In any given day, there is more theater going on at colleges and universities than anywhere else in America. It’s a fairly vibrant community and we need to celebrate being a part of that,” Bartruff said.

According to The Kennedy Center American College Theatre Festival website, the conference was started in 1969 and has “served as a catalyst in improving the quality of college theater in the United States.” According to the website there are eight regional festivals throughout the country. ESU participates in Region V, which encompasses Iowa, Kansas, Minnesota, Nebraska, North Dakota and South Dakota.

Students who are selected to participate in the regional festivals may also be selected to represent the region at the national conference in April. Eight ESU theater students have been selected as Irene Ryan nominees, which is a scholarship through the Irene Ryan Foundation for college theater participants across the country. ESU students nominated for the award are James Hatton, Marah Melvin, Gabe Moyer, Annie Rosenbrook, Brianne Simon, Kangwon Song, Josh Taylor and Andrew Walker.

Taylor, junior theater major, is participating in his third KCACTF in as many years and said that the experience is very helpful for theater students at ESU.

“A theater student in Kansas doesn’t get a lot of opportunity to see a lot of other theater and get known in the theater world and this is a good opportunity for (us) to meet other theater students, attend classes, go through workshops and network for jobs in the future,” Taylor said.

Taylor will audition for the Irene Ryan Scholarship by showcasing a light design that he created. He wants to be a stage electrician or lighting designer after graduating.

Bartruff also added that the festival was a great opportunity for ESU students to experience the work of other theater students throughout the region.

“I think more than anything, it’s (about) getting to see each others work, because during the academic year there is not much of an opportunity to do that… Just being able to hang together with a bunch of people who have similar interests and the same kind of focus in their lives is really enriching and rewarding,” he said.

Eric Hemphill

Nordstrom, John W.

Business Leader Profiles for Students January 1, 2002 Nordstrom, John W.

Nordstrom Department Stores (1871-1964) Overview In 1901 John Nordstrom and his partner Carl Wallin founded a modest shoe store in the Pacific Northwest boom town of Seattle, Washington. From this tiny seed would come the Nordstrom department store empire, which by the 1990s encompassed a chain of upscale stores stretching all the way to Boca Raton, Florida. Successive generations of John Nordstrom’s descendants have run the family enterprise, which has grown to become a more than $4 billion-a-year company with a reputation for excellence.

Personal Life Johan W. Nordstrom was born on February 15, 1871, in the Swedish town of Alvik Neder Lulea, just 60 miles south of the Arctic Circle. His early life was harsh. Nordstrom’s father, a blacksmith, died when the boy was just eight years old, and three years later, his mother took him out of school to work on the family’s farm. His mother, he would recall later in a privately published memoir called The Immigrant in 1887, “seemed to think I was a man.” She expected him to perform at the same level as a brother who was 10 years older. “I often cried when I had trouble doing things she expected me to do and couldn’t, and felt very helpless.” In 1900, Nordstrom married Hilda Carlson, another Swedish immigrant living in Seattle. They had five children, and their three sons, Everett, Lloyd, and Elmer, grew up to run the family business. Later the three would turn the enterprise over to their sons. By the 1990s a fourth generation of Nordstroms had emerged.

John Nordstrom was just 16 when, with two companions, he left his hometown for the first and last time. He had with him the equivalent of $112, which he had inherited, and he wore his first suit, the only item of clothing he had ever owned that was not homemade. He set off for the Pacific Northwest of the United States, a mecca for Swedish immigrants. The young man had a long trek ahead of him: a two-day boat trip to Stockholm, the Swedish capital; another three days to a Baltic Sea port where he set sail for Hull, England. From Hull he traveled by train to Liverpool, from whence he took a 10-day voyage to New York’s Ellis Island.

Barely able to speak English, Nordstrom and his two companions bought a train ticket to Stumbaugh, Michigan. By now he only had $5 left, and a relative in Stumbaugh helped him get work hauling iron ore. It was back-breaking work, and he was nearly killed in an iron ore slide. For a grueling 10-hour day, he earned $1.60.

Over the next five years, Nordstrom worked his way westward in a series of tough jobs. He worked as a logger in Michigan, a coal miner in Iowa, a gold and silver miner in Colorado, a railroad worker in northern California, and a logger in Washington. In the summer of 1896 he used his savings to buy a 20-acre potato farm in Arlington, Washington, some 50 miles north of Seattle.

One Sunday morning a year later, Nordstrom read in his morning paper about the discovery of gold in Alaska. He became excited and asked a friend to go with him. The friend chose not to go, so Nordstrom set off that afternoon for Seattle with nothing but the money he had in his pocket. He sailed from Seattle to Port Valdez, Alaska, then went overland to the gold fields at Klondike. During the trip he nearly froze to death and had to kill his horse for food. Finally he arrived in the Yukon Territory boom town of Dawson, near Klondike, and he spent the next two years digging for gold.

Finally he found it, but immediately became embroiled in a claims dispute with another miner who happened to be the brother of the local gold commissioner. Instead of allowing himself to get into a protracted battle he could not win, Nordstrom sold his share for $13,000 and went home. web site nordstrom promotion code

Career Details In May of 1900, Nordstrom, back in Seattle and married, decided to go into business with a shoemaker he had met in Klondike. The shoemaker’s name was Carl Wallin, and he owned a shoe repair shop that the two converted into a store using $5,000 of Nordstrom’s money and $1,000 of Wallin’s. They invested another $3,000 in inventory, and in 1901, Wallin & Nordstrom opened its doors.

The two did not seem particularly well-suited for the business, since neither spoke English very well, nor did they look like fashion trendsetters. But through hard work and what would become their trademark strategy, the use of a varied stock and a large inventory, the business grew. In 1905 it had sales of $47,000. They bought out another store and moved to a new location, using a loan of $10,000 from the Scandinavian-American Bank. Nordstrom had secured the loan by putting up his two houses and some property he owned. web site nordstrom promotion code

As the business grew, so did Nordstrom’s sons, and his two older boys began working at the shoe store in 1915. Eight years later, in 1923, Wallin and Nordstrom opened another store in Seattle, and Nordstrom put his 20-year-old son Everett in charge of it. But Nordstrom and Wallin had a falling-out of some kind, and in 1928, Nordstrom sold his share in the company to his two oldest sons for about $120,000. He continued to run the business for some time, since he had loaned his sons the money to buy it, and had co-signed on a bank loan to help them obtain the necessary capital. Nonetheless, he gradually let his sons take the front seat in the store, which became known as Nordstrom on August 19, 1930.

Nordstrom would grow under the stewardship of John Nordstrom’s sons, even during the Great Depression. World War II brought additional challenges. The military demand required all the country’s leather supplies, so shoe manufacturers had to use rubber soles. Nordstrom’s inventories were seriously depleted. The company was forced to use ration stamps to purchase the limited number of shoes available for retailers and the civilian public. Nordstrom’s nationwide pursuit of shoes during the war years earned his company its long-standing reputation for a large and assorted inventory. As a result of these efforts, John Nordstrom was honored by his industry as “Shoe Man of the Century” in 1961.

After the war, Nordstrom was the largest independent shoe chain in the country. Not content with this, the Nordstrom family sought out expansion opportunities. In 1963 the company purchased Best’s Apparel stores. Best’s was a specialty chain that carried women’s designer clothing. The growth continued and soon Nordstrom stores carried men’s apparel, children’s wear, accessories, and cosmetics.

Nordstrom started out, however, selling shoes, and shoes remained a mainstay. In the shoe department, and in the store as a whole, one of Nordstrom’s hallmarks was the breadth and depth of its inventory. According to legend, this was due to the fact that Wallin’s and Nordstrom’s neighbors and friends were Swedes, who had larger feet than less robust people. Whatever the cause, even in the 1990s, Nordstrom had 20 to 30 percent more inventory per square foot than its competitors, thus giving customers more choices.

One way that John Nordstrom provided for the future was to make sure that his sons got an education by working in other’s shoe stores. He sent his oldest son, Everett, east to work at Marshall Field & Company in Chicago. Everett later reported that although Marshall Field inspired awe in this young Seattle boy, he was disgusted at the way the store’s management treated merchandise roughly and lost track of inventory. When Everett returned from Chicago, his father asked him what he had learned. “In all honesty,” Everett replied, “I did not bring back a lot of good ideas about what I should be doing in the retail business. But I certainly learned several things I should not do.” To this his father answered, “In that case, you learned quite a bit.” Later Everett’s son Bruce would have a similar experience when he went to work at Macy’s in New York City. Bruce realized that the giant department store’s management simply assumed that a certain percentage of its shoes would be stolen, and he vowed that at Nordstrom, the theft or “shrinkage” rate would be very low. In fact, it is currently about half the national average for department stores. This may be because, as Bruce Nordstrom has said, employees feel a sense of ownership. If they see someone stealing, they think, “That’s my merchandise. Don’t you steal from me!” Since John Nordstrom’s death in 1964, the store has continued to grow under the guardianship of his family. In 1970 the third generation of Nordstroms officially took the helm. Today, many members of the fourth generation are employed by the company. In the 1990s it had become one of the United States’ largest family-owned businesses. The retail legacy John Nordstrom created employs more than 40,000 people in 18 states.

Social and Economic Impact John W. Nordstrom only established the store that would become Nordstrom; his sons built the department store chain. By 1995, when a fourth generation of Nordstroms began to take the helm, the chain consisted of 90 outlets in 18 states, generating $4.11 billion in annual sales. Nordstrom Inc. became the largest independent fashion specialty retailer in the United States, and along the way, it gained an outstanding reputation for excellence in customer service.

Chronology: John W. Nordstrom 1871: Born.

1887: Left Sweden for the United States.

1896: Settled in Seattle, Washington.

1897: Headed to Alaska during the Klondike Gold Rush.

1899: Struck gold and returned to Seattle with $13,000.

1901: Opened Wallin & Nordstrom shoe store.

1930: Opened first Nordstrom department store.

1961: Honored as “Shoe Man of the Century.” 1964: Died.

Nordstrom’s legendary customer service and liberal return policy are a benchmark to which all retail concerns can aspire. In many companies, the board of directors tops the pyramid-shaped chain of command, but not at Nordstrom. Its decentralized structure is best described as an inverted pyramid, with the customers at the top, followed immediately by sales and support staff members. Further down the pyramid is Nordstrom management, with the board of directors at the bottom. Without a doubt, the most important people at Nordstrom are the customers.

Sources of Information Contact at: Nordstrom Department Stores 1501 5th Ave.

Seattle, WA 98101 Business Phone: (206)628-2111 Bibliography “Business Brief: Nordstrom Inc.: First Florida Store to Mark Expansion in the Southeast.” The Wall Street Journal, 21 May 1997.

Johnson, Kaylene. “Nordstrom: From Klondike Gold to a National Retail Legend.” Alaska Business Monthly, April 1993.

Pederson, Jay, ed. International Directory of Company HistoriesDetroit: St. James Press, 1997.

Reda, Susan. “Department Stores Debate Sales Commission System.” Stores, November 1996.

Spector, Robert and Patrick D. McCarthy. The Nordstrom Way: The Inside Story of America’s #1 Customer Service Company. New York: John Wiley, 1995.

Weinstein, Steve. “The Nichemakers.” Progressive Grocer, February 1997.

 

RHS Cut Out 1 COLORRoy Michael Johnson, senior theater major, emerges from the fog in Albert Taylor Hall dressed in a black leather bustier, fishnets and 6-inch heels. In full make up, he struts across the stage and sings, “I’m just a sweet transvestite from transsexual Transylvania!”

Johnson plays the role of Dr. Frank N Furter for this year’s Homecoming Scholarship Musical, Richard O’Brien’s “Rocky Horror Show.”

“I like everything about it,” Johnson said. “It’s a show that I’m a big fan of. I’ve watched the movie since I was in middle school every year.”

“The Rocky Horror Show” started in London in the 1970s and grew to become a cult phenomenon with its film version, “The Rocky Horror Picture Show,” in the U.S. Jim Bartruff, theater director and professor, said it developed out of an anti-establishment, free love environment. The show spoofs science fiction movies of the 1960s.

“It’s one of those shows that our students say ‘let’s do the Rocky Horror Show’ and there was always a bit of reluctance to do it because of the subject matter,” Bartuff said.

Bartruff said he and a planning committee looked at the material and realized that it is not as startling as it might have been 40 years ago when the show began. He said they decided on doing the show because Homecoming fell on Halloween and it allows audience members to dress up and get involved.

During midnight showings of the “Rocky Horror Picture Show,” audience members shout at the movie screen and throw food items. Bartruff said that because ESU’s performance is a theater production, liquids and food will be confiscated at the door. Prop kits will be available for $5 and the proceeds will go to the music and theatre departments.

Marah Melvin, freshman elementary education major, said she and the other actors in the show are excited to see the crowd get involved.

“We encourage it, we hope people dress up, we hope people shout things, you know,” Melvin said. “We just feed off that and the energy, so we would love it if they do it.”

Performances of the Rocky Horror Show are Oct. 29 at 7:30 p.m., Oct. 30 at 12 a.m., Oct. 31 at 7:30 p.m. and Nov. 1 at 2 p.m. Tickets are available at the ESU Box Office in the Memorial Union or by calling 620-341-6378.

Lauren Walbridge/The Bulletin